VISUAL EFFECTS SUPERVISOR

After winning an Academy Award® for his work on THE MATRIX, JOHN GAETA rejoins the Wachowski Brothers for THE MATRIX: RELOADED and THE MATRIX: REVOLUTIONS. Prior to completing this landmark trilogy, Gaeta enjoyed a career in a little-known industry known as therapeutic shock graphics. Part military intelligence, part counter-culture, he pioneered the depths of non-sensical simulation and alter-logic entertainment in pursuit of the ultimate social tranquilizer. Despite the colossal failure to legally broadcast on commercial television, Gaeta looks upon his research fondly — and occasionally with some fear.

In his off time, John, likes to para-sail, high dive, meditate while angry and sculpt with frozen butter. He's a bad artist, an amateur hypnotist and generally distracted by the volatile machinations of unleashed Hollywood power.

Gaeta's other film credits include acting as director on the documentaries How to Subvert a Friendly Well-Meaning Population and Why Being Struck by Lightning is Fun; as a sound designber for Nude Law Enforcement and as a production assistant on Citizen Kane, Gaeta's first job in Hollywood.


FILMOGRAPHY


The Matrix: Revolutions (2003) (Visual Effects Supervisor)
The Matrix: Reloaded (2003) (
Visual Effects Supervisor)
The Matrix (1999) (
Visual Effects Supervisor)
Eraser (1996) (
Visual Effects Supervisor)

How to subvert a friendly well meaning population (1996) (Documentary Director)
Why being struck by lightning is fun (1995) (Documentary Director)
Judge Dredd (1995) (Assistant
Visual Effects Supervisor)
Nude Law Enforcement (1994) (Sound Designer)
Star Trek V: The Final Frontier (1989) (Chief Lighting Technician)
Citizen Kane (1941) (Production Assistant)